DANCE THEATRE
IN CORPORE MUTO
Copper, salt and electricity are the landscape of the inner chemical/physical substance silently dancing an everlasting evolution. |
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9'57" out of 45'
ALEPH
Experimental performance in a square shaped space where action and dance take place in darkness and explore perceptions all around through noises, scents and the projection of infrared images. The technician then becomes a “demiurge” ruling a magic place where figures can play their fairy tale. |
18'45" out of 50'
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FIGURA PRIMA
A visual performance exploring the creative relationship between a dancer and a painter: a letting the vision go through themselves, without knowing who sees and who is seen, as long as the figura keeps its inner life. |
11'30" out of 50'
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EDEN
Performance freely inspired to Pasolini's "Teorema". The downfall of a family from the false heaven of roles and identity, meant as a passage from characters to individuals. |
19'24" out of 55'
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CANTO SCURO
A TRILOGY ON LIGHT, 1st STANZA, THE NAME An almost-solo from a childish memory of Electra. From the Merz' igloo. From the impossible house, the “what to do?” . Introjection of light. Nemesis as a way out, behind closed doors. |
15'28" out of 50'
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BEING BACK
A TRILOGY ON LIGHT, 2nd STANZA, THE VISAGE Melancholic operetta on a gallant meeting, as the second nature of Being in a genuine form. The appearance as a mystery that broke the flowers of wedding. Orpheus couldn't look back but Eurydice was blind. |
4'45" out of 60'
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PEAU D'ÂME
A TRILOGY ON LIGHT, 3rd STANZA, THE TIME A research, a stratigraphy on the concept of body/time , that is a donkey staying awake till his transfiguration. Somatic dance of burden, for equal sum of clothes/habits and monks. |
14'17" out of 60'
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IMpasse
"Dramaticule" between one and three. Multiple musical movements standing in the same stillness. A dance of Babel, the coming and going of women mirroring each other's words, steps and remembrance. |
5'14" out of 60'
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